Claire M. L. Bourne, ed. "The Sea Voyage," in The Routledge Anthology of Early Modern Drama
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Fredson Bowers, ed. "The Sea Voyage," in The Dramatic Works in the Beaumont and Fletcher Canon
, vol. 9 (Cambridge University Press, 1994), 1-94.
Anthony Parr, ed. "The Sea Voyage," in Three Renaissance Travel Plays
(Manchester University Press, 1995), 135-217.
Patricia Akhimie, “Travel, Drama, and Domesticity: Colonial Huswifery in John Fletcher and Philip Massinger’s The Sea Voyage,” Studies in Travel Writing
13.2 (2009): 153-66.
Rita Bannerjee, “Gold, Land, and Labor: Ideologies of Colonization and Rewriting The Tempest in 1622,” Studies in Philology
110.2 (2013): 291-317.
Alison Brown and Jason Denman, “The Sea Voyage and Accounts of Famine in Colonial Virginia,” Notes and Queries
65.1 (2018): 119-22.
Jean Feerick, “‘Divided in Soyle’: Plantation and Degeneracy in ‘The Tempest’ and ‘The Sea Voyage’,” Renaissance Drama 35 (2006): 27-45.
Michael Hattaway, “‘Seeing things’: Amazons and Cannibals,” in Travel and Drama in Shakespeare’s Time , eds Jean-Pierre Maquerlot and Michèle Willems (Cambridge: Cambridge University Press, 1996), 180-192.
Claire Jowitt, “‘Her flesh must serve you’: Gender, Commerce and the New World in Fletcher’s and Massinger’s The Sea Voyage and Massinger’s The City Madam,” Parergon
18.3 (2001), 93-117.
Zachary Lesser, “Tragical-Comical-Pastoral-Colonial: Economic Sovereignty, Globalization, and the Form of Tragicomedy,” ELH
74.4 (2007), 881-908.
Gitanjali Shahani, “Of ‘Barren Islands’ and ‘Cursèd Gold’: Worth, Value, and Womanhood in ‘The Sea Voyage’,” Journal for Early Modern Cultural Studies
12.3 (2012): 5-27.
Julie Sutherland, “‘What Beast is This Lies Wallowing in His Gore?’ The Indignity of Man and the Animal Nature of Love in The Sea Voyage,” Modern Language Review
107.1 (2012): 88-107.
Michael Wagoner, "Imaginative Bodies and Bodies Imagined: Extreme Casting in Shakespeare's The Tempest
and Fletcher and Massinger's The Sea Voyage
," in Shaping Shakespeare for Performance: The Bear Stage
(Fairleigh Dickinson University Press, 2016), 103-114.